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The wizard of oz film essay

During this time period, the country gold reserves decreased, leading to an economic panic. This fantasy masterpiece is as bizarre as it is beguiling; more frhtening than enchanting for younger children. The film Wizard of Oz is used to depict the Gilded Age period when economic, population, and industrialization expanded.

The wizard of oz film essay

The wizard of oz film essay

It was first re-released in 1949, and then in 1955, and then for many seasons, it was featured regularly on network TV as a prime time event (its first two showings were on CBS television on November 3, 1956 and in December, 1959). Its malevolent hag, flying monkeys and Scarecrow dismemberment are bad enough, but the moment when the Wicked Witch sets the Scarecrow afire featured prominently in Empire’s Scariest Moments readers’ poll, alongside horror movies and shockers galore. Frank Baum aspired to “a modernized fairy tale, in which the wonderment and joy are retained and the heart-aches and nhtmares are left out”, but what he wrote is quintessentially the stuff of tiny tears and frhts.

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  • - The Wizard of Oz The Wizard of Oz is a classic, a legend, and a children’s story that will never grow old.


    The wizard of oz film essay

    The wizard of oz film essay

    The wizard of oz film essay

    It soon became a classic institution with annual showings for Thanksgiving, Christmas, and/or Easter time, and was a rite of passage for everyone, and probably has been seen by more people than any other motion picture over multiple decades. Oh, my,” and “There’s no place like home,” are ones that will always pop into our heads when someone says “The Wizard of Oz.” These are the lines that are related rht away to the famous story.

    The wizard of oz film essay

    According to the Library of Congress, the musical fantasy is the most watched movie in history. MOVIE VIEW It was not until I saw "The Wizard of Oz" for the first time that I consciously noticed B&W versus color, as Dorothy was blown out of Kansas and into Oz. Almost all films were still being made in black and white, and the cumbersome new color cameras came with a “color consultant” from the factory, who stood next to the cinematographer and officiously suggested hher lht levels.


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